Francesca Galloway Gallery

Details from miniature paintings.
Source: Francesca Galloway Gallery:
www.francescagalloway.com

Deepawali

Shri Bhairavi

Bhairavi is a fierce and terrifying aspect of the Devi virtually indistinguishable from Kali, except for her particular identification as the consort of the Bhairava.

-Wikipedia

Here She is depicted meditating in a cremation ground, symbolic of Her annihilation of materialistic attachments. Her appearance is terrifying to discourage demonic forces.

Her husband, Bhairava (a form of Lord Shiva who incarnates on the Earth) is shown seated on the left, wearing only ashes and a garland of skulls.

Goddess

detail

On a Terrace

Murshidabad, circa 1790
Image source: Bonhams

Angels ministering to a Saint

Two versions of the same subject: Angels ministering to the saint, Sultan Ibrahim Ibn Adham of Balkh.

Ibrahim is one of the most well known early sufi saints. He lived in the 8th century, and gave up the throne of Balkh to become a wandering ascetic. His teaching emphasised stillness and meditation.

Pichhwai, Rasalila, Nathdwara

Shri Ganesha

Shri Krishna

Dance

Mughal

Francesca Galloway Gallery

francescagalloway.com

Some of my miniatures

These are details from miniatures I painted quite a few years ago. I used Japanese paper containing specs of mica and (I think) fine silk fibres, which show through the paint here and there, creating an interesting effect. The paper was quite absorbent so I primed it with a layer of acrylic gouache (storm blue colour) so that the watercolours would not sink in and bleed into the paper.

Yogini

Contemporary painting by Kailash Raj. 
A Yogini is a female yogi, meaning one who has attained yoga (union) with the Divine.

Fireworks

detail

Shri Brahmadeva

Lord Brahmadeva is the Creator aspect of the Divine. To His left is, presumably, His wife Shri Saraswati.

Kedara Ragini

Mughal circa 1700.
Kedar or kedara is a name associated with Lord Shiva, the god of ascetics.

Deer

Trees

Exhibition - State Library of Victoria

The Youth and the Singing Girl
(detail)

From a leaf from a disbound manuscript of Jami, Baharistan (Garden of Spring), copied for Mughal Emperor Akbar, dated year 39, Ilahi era (1595 AD), Lahore. Painting by Madhu.

Bodleian Library, University of Oxford, MS Elliott 254, fol 35v

This folio is from a magnificent Mughal copy of a 15th-century Persian classic that was prepared for Emperor Akbar at Lahore and represents the high point of Mughal luxury manuscript production of its era.

The Baharistan (Garden of spring) is divided into eight chapters, one devoted to love. In it, a young man hears a girl singing on the terrace of her master’s house and falls in love with her. Despite the mutuality of their ardour, he renounces his love in favour of chastity.

Exquisitely painted, the image conveys the poignancy of the moment of falling in love and the lush detail of the scented garden in which it occurs.

The exhibition Love and devotion: from Persia and beyond (9 March–1 July 2012) celebrates the beauty of Persian manuscripts and the stories of human and divine love told through their pages from the early 11th century on.

Many of the manuscripts on show have been loaned from the world-renowned collection of the Bodleian Libraries of the University of Oxford; other exhibits are rare works from the State Library of Victoria and other Australian collections.

The Dervish and the King

Exhibition at the Dulwich Picture Gallery

 The Dulwich Picture Gallery on the outskirts of London, is showing an exhibition of Ragamala paintings.
Check the website for details.

Bhairava Raga-Pahari, ca 1690.
Bhairavi Ragini of Bhairava Raga, Hyderabad, ca 1760.
Kakubha Ragini of Megha Raga, Hyderabad, ca 1760.
Lalita Ragaputra of Bhairava Raga, Pahari, Chamba ca 1690-1700.

Gajendra Moksha

Shri Vishnu Saving the Elephant Gajendra, Pahari region, Guler, circa 1760.

Gajendra was the king of elephants. One hot day, he was cooling off in a lake when a crocodile attacked him, and he could not free himself. Gajendra prayed to the god Shri Vishnu to save him. When Lord Vishnu appeared, Gajendra offered Him a lotus bloom. Shri Vishnu overcame the crocodile and saved His devotee.

In his previous Gajendra was Indrayumna, a great king and devotee of Vishnu. Indradyumna once failed to receive the sage Agastya with due respect. The enraged Agastya cursed the king to become an elephant in his next birth, as he sat heavy on his seat and did not rise to greet him.

The crocodile in its last life was a king called HuHu in the Gandharva planet. Once while enjoying himself in the waters, he pulled the leg of a sage. The enraged sage cursed the king to become a crocodile in his next life. The repentant HuHu asked for pardon. The Sage proclaimed that though he could not retrieve the curse, the crocodile would be liberated from the cycle of birth and death when Gajendra would be saved by the Lord God Himself.

The Mughal Dynasty

Deccan, mid 17th century.
A portrait of three generations of the Mughal Dynasty. Timur in a blue tunic flanked by Akbar in green and Humayun in red with a gold overcoat.

Holi

Celebration of Holi, Mughal 18th century.
Holi is the festival of colours, celebrated at this time in India.

This image is from the Kapoor Galleries website.
kapoorgalleries.com

Lucknow

Lucknow School. 
This painting shows a blending of Persian and Indian styles.

Red Carpet

detail. Source: Art of the Past Gallery.

Blossoms

Details, Mughal, Bodleian Library Collection.

Ladies visiting an Ascetic

detail

Capricorn

A Mughal depiction of the astrological sign Capricorn.